3th paragraph
 
In recent times, 
the British artist David Hockney
has published
his investigations
into the secret use of the camera obscura,
claiming that for up to 400 years, 
many of western art's great masters 
probably used 
the device 
to produce almost photographically realistic details
in their paintings.
 
He includes
in this group Carabaggio, 
Hans Holbein, Leonardo da Vinci, 
Diego Velazquez, Jean-Auguste-Dominique Ingres, 
Agnolo Bronzino, and Jan van Eyck. 
 
From an artist's point of view, 
Hockney observed
that a camera obscura compresses 
the complicated forms of a three-dimensional scene
into two-dimensional shapes 
that can easily be traced 
and also increase 
the contrast 
between light and dark,
leading to the chiaroscuro artistic term
for a contrast 
between light and dark effect 
seen in many of these paintings.
 
In jan van Eyck's 
The Marriage of Giovanni Amolfini and Giovanna Cenami, 
the complicated foreshortening a technique 
for representing an image 
in art 
that makes it appear 
to recede in space 
in the chandelier 
and the intricate detail 
in the bride's garments 
are among the clues 
that hockney thinks 
point 
to the use of the camera obscura.
 
    
     
   
 
 
   
      
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