1th paragraph
 
The precursor of the modern camera,
the camera obscura is a darkened enclosure
into which is admitted 
through a lens 
in a small hole.
 
The image of the illuminated area 
outside the enclusure 
is thrown upside down
if by magic onto a surface
in the darkened enclosure. 
 
This technique 
was known 
as long ago
as the fifth century B. C. in China. 
 
Aristotle also experimented
with it 
in the fourth centruy B. C., 
and Leonardo da Vinci described 
it 
in his notebooks in 1490.
 
In 1558
Giovanni Battista Della Porta 
wrote 
in his twenty-volume work 
Magia naturalis(meaning"natural magic") instructions 
for adding a convex lens 
to improve the quality of the image 
thrown against a canvas or panel 
in the darkened area
where its outlines could be traced.
 
Later, 
portable camera obscuras
were developed,
with interior mirrors and drawing tables
on which the artist could trace the image. 
 
For the artist, 
this technique 
allows 
forms and linear perspective
to be drawn precisely
as they would be seen 
from a single viewpoint.
 
Mirros were also used 
to reverse the projected images
to their original positions.
 
 
 
1th paragraph
The precursor of the modern camera,
the camera obscura 
is a darkened enclosure
into which is admitted 
through a lens 
in a small hole.
The image of the illuminated area 
outside the enclusure 
is thrown upside down
if by magic onto a surface
in the darkened enclosure. 
This technique 
was known as long ago
as the fifth century B. C. in China. 
Aristotle also 
experimented
with it 
in the fourth centruy B. C., 
and Leonardo da Vinci 
described 
it 
in his notebooks in 1490.
In 1558
Giovanni Battista Della Porta 
wrote 
in his twenty-volume work Magia naturalis (meaning"natural magic") instructions 
for adding a convex lens 
to improve the quality of the image thrown 
against a canvas 
or panel 
in the darkened area
where its outlines could be traced.
Later, 
portable camera obscuras
were developed,
with interior mirrors 
and drawing tables
on which the artist could trace the image. 
For the artist, 
this technique 
allows 
forms and linear perspective
to be  drawn precisely
as they would be seen 
from a single viewpoint.
Mirros 
were also used 
to reverse the projected images
to their original positions.
 
 
    
     
   
 
 
   
      
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               {어구번호: 주어구1, 술보어구2, 목적어구3, 부사구4, 분사구5, 관계사구6}
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