3th paragraph
In recent times,
the British artist David Hockney
has published
his investigations
into the secret use of the camera obscura,
claiming that for up to 400 years,
many of western art's great masters
probably used
the device
to produce almost photographically realistic details
in their paintings.
He includes
in this group Carabaggio,
Hans Holbein, Leonardo da Vinci,
Diego Velazquez, Jean-Auguste-Dominique Ingres,
Agnolo Bronzino, and Jan van Eyck.
From an artist's point of view,
Hockney observed
that a camera obscura compresses
the complicated forms of a three-dimensional scene
into two-dimensional shapes
that can easily be traced
and also increase
the contrast
between light and dark,
leading to the chiaroscuro artistic term
for a contrast
between light and dark effect
seen in many of these paintings.
In jan van Eyck's
The Marriage of Giovanni Amolfini and Giovanna Cenami,
the complicated foreshortening a technique
for representing an image
in art
that makes it appear
to recede in space
in the chandelier
and the intricate detail
in the bride's garments
are among the clues
that hockney thinks
point
to the use of the camera obscura.
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